Punjab Panorama: A stylistic diversity in Painting and Graphics Author: Miriam Habib Originally published in NuktaArt, Vol 2, ONE, 2007 Cover Design: Sabiha Mohammad Imani Source of inspiration: Adeela Suleman 'Silencer 1 & 2', Rashid Arshad 'In Essence 13' and…
The cultural and economic value of textile craft micro-enterprises is often visible in present-day urban centres, projects led by non-profits, and consumerist practices in Pakistan. Reading through definitions of textile craft1, one comes across descriptions referring to activities engaged with…
Last year, I visited ‘The Haveli Museum’ in Karachi, where the exhibition The Coat of Many Colours displayed textile-based crafts from Sindh. These objects included bujhki13, coverlets, and posh14, among several others. Observing these items stirred a quiet nostalgia for…
To be nostalgic is to exist between fragments of a memory and its imagined idealization. Curated by Noor Ahmed, the exhibition fanaa is the eclipse at Sanat Initiative presents works by the artist Zahra Mansoor where it navigates the domestic…
The Iran, Israel and USA war has become increasingly about digital imagery, fake news, AI generated scenes as a part of its war strategy. The television and digital news channels churn out information that is too much to absorb and…
When I first came across the title Interrupted Reveries, I found myself pausing to think about the display. The curator Fatma Shah translates this title as ‘Khwab o Khayal’ in Urdu. And this reminded me of the French philosopher Gaston…
This essay is based on an interview between the author and Karachi-born, Brooklyn-based artist Hiba Schahbaz. Hiba Schahbaz’s paintings look autobiographical; self-portraiture is a recurring theme representing her unknown and unresolved cognitive musings. However, the contexts shift visually between the…
In her solo show titled “Lines and Language” at Karachi’s Canvas Gallery, the artist Rabeya Jalil drills into gesture and asks: how do we move, strike, puncture, and scrape? In Jalil’s paintings we may see amorphous blobs, strokes, and patches…
Young artists who feel disconnected with the past may ask why is institutional memory important? How does it help us individually and professionally? These are important questions because academics, historians and cultural institutions have only been able to offer a…
Textiles are one of humanity’s oldest inventions, yet they renew endlessly. From the earliest woven fragments of the Indus Valley to the intricate embroideries of modern-day Pakistan, dyed, embroidered, and stitched cloth has carried memory, identity, and the accumulated knowledge…