NuktaArt

Cholamandal Artist Village

Cholamandal Artist Village Author: Dr Ashrafi Bhagat Originally published in NuktaArt, Vol 1, Two, October 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Painting by Sumaya Durrani and images taken from Karkhana Today the name of the Cholamandal Artist…

A Journey of Materials and Tools, Processes and Practice: Miniature and Neo-Miniature

A Journey of Materials and Tools, Processes and Practice Miniature and Neo-Miniature Author: Rumana Husain Originally published in NuktaArt, Vol 1, Two, October 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Painting by Sumaya Durrani and images taken from…

Devotion and Iconography: The Figures of Popular Piety in the Indus Valley

Devotion and Iconography: The Figures of Popular Piety in the Indus Valley Author: Michel Boivin Originally published in NuktaArt, Vol 1, Two, October 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Painting by Sumaya Durrani and images taken from…

Marketing to a Global Audience: New Trajectories in Contemporary Art in Pakistan

Marketing to a Global Audience: New Trajectories in Contemporary Art in Pakistan Author: Amra Ali Originally published in NuktaArt, Vol 1, Two, October 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Painting by Sumaya Durrani and images taken from…

Bindu-Bindi-Nukta: The Infinite in the Finite

Bindu-Bindi-Nukta: The Infinite in the Finite Author: Jasleen Dhamija Originally published in NuktaArt, Vol 1, Two, October 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Painting by Sumaya Durrani and images taken from Karkhana The simplest of all creative…

The Singular Journey: South Asian Visual Art in Britain

The Singular Journey: South Asian Visual Art in Britain Author: John Holt and Laura Turney Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj, Rural…

Marking Emergence of Regional Modernism: A Perspective on The Madras Art Movement

Marking Emergence of Regional Modernism: A Perspective on The Madras Art Movement Author: Ashrafi S. Bhagat Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj,…

Anticipating a New Direction The 51st Venice Art Biennial

Anticipating a New Direction The 51st Venice Art Biennial Author: Simone Wille Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj, Rural Scape (detail) With…

Where is Contemporary Islamic Art in the Arab World?

Where is Contemporary Islamic Art in the Arab World? Author: Wijdan Ali Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj, Rural Scape (detail) In…

Weaving Stories of Solidarity: Reflections on Children’s Museums as Activist Organizations

Weaving Stories of Solidarity: Reflections on Children's Museums as Activist Organizations Author: M. Zulfiqar Ali Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj, Rural…

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