The smell of freshly fried pooris wafting through the house often welcomed me to the breakfast table on Saturday mornings at my childhood home in Karachi. At other times, it would be homemade paratha with a simple omelet of eggs…
Liaquatabad. I had never heard of this place before. I had heard of Lahore, Karachi, and Rawalpindi -- the latter because Shoaib Akhtar is also known as Rawalpindi Express and there is a delicious recipe for Rawalpindi Chole in an…
In a time of global predicament and reckoning, when, even leading gatekeepers grappled with unchartered territories, the meanings and methods of education were also tested. Many educators during the pandemic claimed to adapt to the rapidly changing academic needs, while…
We have a unique vernacular urban heritage, and in this context, Karachi’s multi-ethnic, multi-cultural identity needs to be understood and appreciated for its diversity, richness, and pride in their living environment. Aesthetics is a universal trait of human culture that appears…
To keep abreast with art and art market developments it is imperative that art from Pakistan keep up with enduring global trends. In this article I aim to simplify the enigma that is CryptoArt, while focusing on some of the…
Reminiscing about my early years, I came to the conclusion that the Urdu word “mohalla” does not translate into English very well. It certainly does not mean “neighborhood”, and “locality” is too restrictive. “Community” would be closer to the truth,…
An Asian Art department was created at the Rijksmuseum1 in 1952, when the Royal Asian Art Society donated their collection to the Museum.2 Today, a number of objects from the Asian Art department are still on display in the main…
“I think I shall never see A poem lovely as a tree” Joyce Kilmer Watching contemporary Pakistani drama serials can never make one come to terms with the fact that drama, after all, is a genre of Literature. Such is…
In his famous novel Nineteen Eighty-Four, George Orwell (1903-1950) clearly expresses a concept by giving chapter 19 an incipit that read: “He who controls the present, controls the past. He who controls the past, controls the future.” Orwell's stinging tone…
Asif Farrukhi and I were 'partners in crime' as he so often liked to joke. I had known Asif for so long that I really can't remember how we first met; perhaps we were introduced by Zaheer Kidvai. I must…
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