Dreaming in an Old House

When I first came across the title Interrupted Reveries, I found myself pausing to think about the display. The curator…

Intimate Forms and Avatars: An Interview with Hiba Schahbaz

Gaston Bachelard, The Poetics of Reverie, trans. Daniel Russell. p 8 Andreas Huyssen, “Present Pasts: Media, Politics, Amnesia,” on the…

Gestures, Grids and Instincts in Paint

In her solo show titled “Lines and Language” at Karachi’s Canvas Gallery, the artist Rabeya Jalil drills into gesture and…

Existing without Institutional Memory

Greg Rienzi, “The Science Behind Why We See Faces in Nature,”  John Hopkins Magazine, Winter 2024. https://hub.jhu.edu/magazine/2024/winter/pareidolia-faces-in-nature/Robert Storr, “Passages,” ArtForum,…

The Karachi Collective

Critical Dialogue on Art, Design & Culture

The Karachi Collective (TKC), established in 2020 as a digital platform, aims to foster creative research and meaningful documentation rooted in Karachi’s vibrant cultural landscape.

While initially centered on this dynamic city—renowned for its layered histories, diverse languages, and artistic expressions—TKC’s scope has progressively extended beyond Karachi to encompass South Asia and its diaspora. This expansion reflects a commitment to forging connections across regional histories, traditions, and contemporary practices.

By inviting artists, writers, designers, and researchers from varied disciplines, TKC cultivates an interdisciplinary dialogue that explores material culture, memory, and identity.

Emphasizing both critical inquiry and creative experimentation, the platform champions diverse methodologies such as autoethnography and embodied knowledge. The Karachi Collective aspires to be a space where regional voices converge, inspiring new perspectives and fostering collaborations that challenge boundaries and enrich understanding across cultural and geographical boundaries.

nukta art logo, magzine of Pakistan

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