The Two Who Came Together to Write an Engaging Chapter of Art History

He was born in Poona and his mentor in Rawalpindi. Fifteen years apart in age they grew up in different…

The Lost Statues of Karachi

Akbar Naqvi, Image and Identity (Oxford: Oxford University Press, 1999), 534.

From Familiar Names to Difficult Histories: Encountering Poets of Resistance

In the summer of 2025, I wandered beneath the large white marquee of the Bradford Literature Festival in the UK,…

Afterlives of the Colonial Image

Bradford Literature Festival, “The Poetry of Resistance: Faiz, Neruda, Darwish, and Qabbani,” event listing, https://www.bradfordlitfest.co.uk/event/the-poetry-of-resistance-faiz-neruda-darwish-and-qabbani/.Remona Aly, journalist and broadcaster, https://remonaaly.com.Salman…

The Karachi Collective

Critical Dialogue on Art, Design & Culture

The Karachi Collective (TKC), established in 2020 as a digital platform, aims to foster creative research and meaningful documentation rooted in Karachi’s vibrant cultural landscape.

While initially centered on this dynamic city—renowned for its layered histories, diverse languages, and artistic expressions—TKC’s scope has progressively extended beyond Karachi to encompass South Asia and its diaspora. This expansion reflects a commitment to forging connections across regional histories, traditions, and contemporary practices.

By inviting artists, writers, designers, and researchers from varied disciplines, TKC cultivates an interdisciplinary dialogue that explores material culture, memory, and identity.

Emphasizing both critical inquiry and creative experimentation, the platform champions diverse methodologies such as autoethnography and embodied knowledge. The Karachi Collective aspires to be a space where regional voices converge, inspiring new perspectives and fostering collaborations that challenge boundaries and enrich understanding across cultural and geographical boundaries.

nukta art logo, magzine of Pakistan

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