Gestures, Grids and Instincts in Paint

In her solo show titled “Lines and Language” at Karachi’s Canvas Gallery, the artist Rabeya Jalil drills into gesture and…

Existing without Institutional Memory

Greg Rienzi, “The Science Behind Why We See Faces in Nature,”  John Hopkins Magazine, Winter 2024. https://hub.jhu.edu/magazine/2024/winter/pareidolia-faces-in-nature/Robert Storr, “Passages,” ArtForum,…

Nasreen Askari and the Living Language of Textiles

Textiles are one of humanity’s oldest inventions, yet they renew endlessly. From the earliest woven fragments of the Indus Valley…

Double Dealing in the Art of Words

Pallavi Style Diaries, https://www.instagram.com/p/DLPr7dxy9YF/Conversation between the author and Nasreen Askari, at the Haveli Museum, September 2025. Notes by the author…

The Karachi Collective

Critical Dialogue on Art, Design & Culture

The Karachi Collective (TKC), established in 2020 as a digital platform, aims to foster creative research and meaningful documentation rooted in Karachi’s vibrant cultural landscape.

While initially centered on this dynamic city—renowned for its layered histories, diverse languages, and artistic expressions—TKC’s scope has progressively extended beyond Karachi to encompass South Asia and its diaspora. This expansion reflects a commitment to forging connections across regional histories, traditions, and contemporary practices.

By inviting artists, writers, designers, and researchers from varied disciplines, TKC cultivates an interdisciplinary dialogue that explores material culture, memory, and identity.

Emphasizing both critical inquiry and creative experimentation, the platform champions diverse methodologies such as autoethnography and embodied knowledge. The Karachi Collective aspires to be a space where regional voices converge, inspiring new perspectives and fostering collaborations that challenge boundaries and enrich understanding across cultural and geographical boundaries.

nukta art logo, magzine of Pakistan

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