Five years before Waheeda Baloch stood on Bagh Ibne Qasim’s Katrak Band Stand as curator of the Fourth Karachi Biennale (KB24)—with the sun setting before her, and the biennale beginning¾ she was a participating artist at the same location, for…
‘Meri awaaz hi pehchaan hai’ The Indian poet Gulzar might have penned the verse for the likes of Talat Hussain--- people who have been bestowed with a voice that is hard to forget. When it is recalled or replayed, it…
As the morning sun awakes from its slumber over Karachi, the bustling city comes alive with a rhythm and energy of its own. As I look out my car window on the way to school, the racing dewdrops are not…
It’s a curious twist of fate when you discover that not only do you share a name --- with just a slight variation in spelling --- with a renowned artist across the border, but you also share the same birth…
In 1944 a spiky haired boy tried teaching himself swimming, using a clay pot for assistance in the West Bengal River. Abul Mansoor Ahmed—as he was then known—was curious and regularly in trouble. As an adult he would do weighty…
Curated by Waheeda Baloch, the fourth Karachi Biennale titled ‘رزق | Risk --- Food, Futures & Fair Practices’, foregrounds socio-economic and political complexities surrounding local and global food systems and traditional dietary customs, and their entanglement with human practices, culture, heritage,…
ADA was the result of the efforts of Architect Maria Aslam who began a quarterly publication focusing on documenting architecture art and design practices in Pakistan and surrounding regions in 2008. She envisioned it as a national archive of creative…
Art historian and critic Nageen Jawaid Shaikh and academic, researcher, and actor Tazeen Hussain interview art interventionist, author, and CEO Karachi Biennale: Niilofur Farrukh. The conversation is a part of the public initiative “Writers and Readers Cafe” (#78), at the…
Sughra Rababi entered the world in 1922 as the eldest daughter of Asma Lotia, a Rawalpindi-based mother, and Ghulam Ali Mandviwalla, a prosperous Karachi-based businessman. With five siblings in tow, she led the pack, living with her parents, three sisters…
My first article on the subject published in December 2021 by The Karachi Collective (TKC) garnered significant interest from art collectors, gallery owners, foundations, and auction houses - some with great appreciation and others with discomfort of being called out…
