Visual storytelling

Afterlives of the Colonial Image

The women in Farazeh Syed’s paintings come to us from colonially produced and disseminated photographs that never intended to tell the subjects’ real stories. Syed’s exploration of this history is presented in her solo exhibition, All the Women in Me.…

اداکاری  ۔۔  میری نظر میں

مشتاق گزدر کا کہنا ہے کہ اپنے تجربات کی روشنی میں اداکاری پر ریڈیو ،ٹیلی ویژن، فلم اور اسٹیج کے حوالے سے۔ اور ان میڈیا پر اداکاری میں جو فرق ہے اس پر ایک مضمون لکھ دوں۔ مضمون تین چار…

The Debris that Stays: “Intimate Resistance”

I walked into Intimate Resistance at The VASL Gallery on the 25th of November 2025 with a kind of cautious curiosity. Photography exhibitions in Pakistan are rare to begin with, and when they do happen, they often fall into familiar…

Conversations of Locus, Loss and Learning

When the diverse quadrants of human experience convene in one show, it is an absorbing encounter that stays with the viewer and leads us to question reflexive paradigms of memory and social immersion. Ai Wei Wei says “Art has to…

An Outsider, Looking In

I have lived in Pakistan for seventeen years and as much as I love the culture and feel at home here, I still feel like a foreigner. I grew up in a typical Australian family in Northern NSW where the…

May 09th 2026 saw the opening of In Minor Keys, the 61st International Art Exhibition of La Biennale di Venezia curated by the (late) Koyo Kouoh. Once again, included in the roster of nations represented at the biennale, is a…

The Meher Afroz Retrospective “…Connecting Internal and External Time…”

Meher Afroz’s multilayered art connects strands of thought with rich and restrained color. It holds secrets that concern the nature of existence and is impregnated with esoteric meaning. As one of Pakistan’s most iconic contemporary artists, Meher’s decades-long output richly…

Photography as a Civil Act of Solidarity

As a platform committed to critical cultural production from and about the Global South, The Karachi Collective creates space for connecting struggles across geographies through art, testimony, and collective memory. Presented alongside the conversations taking place, on social media and…

Between Reverence and Reprise

Karachi --- On occasion of Chawkandi Art Gallery’s 40th anniversary, Dialogues Across Time invited seventeen practicing artists to come vis-à-vis with experienced veterans, who once shaped the gallery’s advancement in its early years. Chawkandi’s founder Zohra Hussain recalls these initial…

Manchhar Lake, the Mohannas, and the Art of Remembering

The lake is already awake when the artists arrive. Houseboats rock gently, fastened more by habit than rope. Nets dry in uneven arcs along their wooden spines. Children lean over the water’s edge, watching reflections rupture and reform. For five…

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