I walked into Intimate Resistance at The VASL Gallery on the 25th of November 2025 with a kind of cautious curiosity. Photography exhibitions in Pakistan are rare to begin with, and when they do happen, they often fall into familiar…
When the diverse quadrants of human experience convene in one show, it is an absorbing encounter that stays with the viewer and leads us to question reflexive paradigms of memory and social immersion. Ai Wei Wei says “Art has to…
I have lived in Pakistan for seventeen years and as much as I love the culture and feel at home here, I still feel like a foreigner. I grew up in a typical Australian family in Northern NSW where the…
May 09th 2026 saw the opening of In Minor Keys, the 61st International Art Exhibition of La Biennale di Venezia curated by the (late) Koyo Kouoh. Once again, included in the roster of nations represented at the biennale, is a…
Meher Afroz’s multilayered art connects strands of thought with rich and restrained color. It holds secrets that concern the nature of existence and is impregnated with esoteric meaning. As one of Pakistan’s most iconic contemporary artists, Meher’s decades-long output richly…
As a platform committed to critical cultural production from and about the Global South, The Karachi Collective creates space for connecting struggles across geographies through art, testimony, and collective memory. Presented alongside the conversations taking place, on social media and…
Karachi --- On occasion of Chawkandi Art Gallery’s 40th anniversary, Dialogues Across Time invited seventeen practicing artists to come vis-à-vis with experienced veterans, who once shaped the gallery’s advancement in its early years. Chawkandi’s founder Zohra Hussain recalls these initial…
The lake is already awake when the artists arrive. Houseboats rock gently, fastened more by habit than rope. Nets dry in uneven arcs along their wooden spines. Children lean over the water’s edge, watching reflections rupture and reform. For five…
The cultural and economic value of textile craft micro-enterprises is often visible in present-day urban centres, projects led by non-profits, and consumerist practices in Pakistan. Reading through definitions of textile craft30, one comes across descriptions referring to activities engaged with…
Last year, I visited ‘The Haveli Museum’ in Karachi, where the exhibition The Coat of Many Colours displayed textile-based crafts from Sindh. These objects included bujhki42, coverlets, and posh43, among several others. Observing these items stirred a quiet nostalgia for…