South Asian art

Curation as Creative Disruption

We are twenty-five years into the new century, and despite all the curbs on freedom of expression Contemporary Art has successfully navigated the deeply fraught terrain and become an integral part of the country’s cultural consciousness. Curatorial practice has supported…

Punjab Panorama: A stylistic diversity in Painting and Graphics

Punjab Panorama: A stylistic diversity in Painting and Graphics Author: Miriam Habib Originally published in NuktaArt, Vol 2, ONE, 2007 Cover Design: Sabiha Mohammad Imani Source of inspiration: Adeela Suleman 'Silencer 1 & 2', Rashid Arshad 'In Essence 13' and…

Between Karachi and Paris

To be nostalgic is to exist between fragments of a memory and its imagined idealization. Curated by Noor Ahmed, the exhibition fanaa is the eclipse at Sanat Initiative presents works by the artist Zahra Mansoor where it navigates the domestic…

Humanizing the Dehumanized During War

The Iran, Israel and USA war has become increasingly about digital imagery, fake news, AI generated scenes as a part of its war strategy. The television and digital news channels churn out information that is too much to absorb and…

Intimate Forms and Avatars: An Interview with Hiba Schahbaz

This essay is based on an interview between the author and Karachi-born, Brooklyn-based artist Hiba Schahbaz. Hiba Schahbaz’s paintings look autobiographical; self-portraiture is a recurring theme representing her unknown and unresolved cognitive musings. However, the contexts shift visually between the…

Gestures, Grids and Instincts in Paint

In her solo show titled “Lines and Language” at Karachi’s Canvas Gallery, the artist Rabeya Jalil drills into gesture and asks: how do we move, strike, puncture, and scrape? In Jalil’s paintings we may see amorphous blobs, strokes, and patches…

Existing without Institutional Memory

Young artists who feel disconnected with the past may ask why is institutional memory important? How does it help us individually and professionally? These are important questions because academics, historians and cultural institutions have only been able to offer a…

Double Dealing in the Art of Words

Historical retellings of modern art from Western perspectives trace the origins of text-based image making at the beginning of the 20th century. Referring to American consumer culture, influential critics such as Lucy Lippard, W.J.T. Mitchell, and Hal Foster often discussed…

Postcolonial Ecologies at The Drawing Room, London

The Land Sings Back, an exhibition showing works of thirteen artists of South Asian, African, and Caribbean heritage at The Drawing Room Tannery Arts in London focuses on our relationship with the environment. Curated by Natasha Ginwala, the show explores…

Review of Saba Husain’s Solo ‘Gardens of Memory’

FIBERS OF MEMORY After graduating from the National College of Arts, Sabah Husain made a remarkable decision. She opted to go to Japan to study printmaking. The choice came with the challenges of learning Japanese and navigating her way in…

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