Saba Qizilbash’s solo presentation Hundred Years a Jackal at Dastaangoi Gallery interprets the structures of indigenous identity, and investigates shared ancestral histories through a critical lens of decolonisation. Her practice reclaims a plethora of cultural, architectural and topographical identifiers of…
We have a unique vernacular urban heritage, and in this context, Karachi’s multi-ethnic, multi-cultural identity needs to be understood and appreciated for its diversity, richness, and pride in their living environment. Aesthetics is a universal trait of human culture that appears…
Entering the gallery space, two things draw one’s attention instantaneously: the soulful voice that sings in the background, and the vibrant colors of the textiles suspended from the ceiling. More details unpack once the initial impact is absorbed. Silverware, porcelain…
Where is Contemporary Islamic Art in the Arab World? Author: Wijdan Ali Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj, Rural Scape (detail) In…
It seems that almost no area of land has been left terra incognita by human interference. Every rock and plant has fallen prey to being scaled and listed for all the wrong reasons— to occupy or replace. The overwhelming draw…
To keep abreast with art and art market developments it is imperative that art from Pakistan keep up with enduring global trends. In this article I aim to simplify the enigma that is CryptoArt, while focusing on some of the…
When I use the terms 'forsaken' and 'forgotten', I refer to the deserted spaces and abandoned objects left in disarray. These spaces and objects captivate my attention while exploring the multilayered megapolis— Karachi. Some such spaces and objects might not…
Mussarat Mirza’s academic pursuit in Fine Arts has transitioned into a series of lived experiences within her art practice. Over the decades she has translated these moments of poignant observation of her environment into painterly visualizations using structured drawing, weighted…
The geomorphological and organic development of the late fifties was soon to be replaced by the incongruous and inept nature of urban public policy in many significant and heavily populated areas of Karachi. The gradual socio-economic changes of later decades…
In recent decades, the landscape of Karachi has become a site of anxiety and insecurity with regards to safety. This has caused a shift in urban infrastructure to include surveillance as a key feature. The result of this inclusion impacts…