As I write this, the image of bodies falling from a plane in Kabul’s sky has already been imprinted in the world’s eye. The US have stepped away from a fight around the Euphrates River and the Hindu Kush mountains—ancient…
In a time of global predicament and reckoning, when, even leading gatekeepers grappled with unchartered territories, the meanings and methods of education were also tested. Many educators during the pandemic claimed to adapt to the rapidly changing academic needs, while…
Home does not necessarily constitute a geographical space; it can also be deemed an emotion that we as humans carry with us in our peripatetic journey of life. An emotion that we attach to materiality in pursuit of creating our…
Anticipating a New Direction The 51st Venice Art Biennial Author: Simone Wille Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj, Rural Scape (detail) With…
Saba Qizilbash’s solo presentation Hundred Years a Jackal at Dastaangoi Gallery interprets the structures of indigenous identity, and investigates shared ancestral histories through a critical lens of decolonisation. Her practice reclaims a plethora of cultural, architectural and topographical identifiers of…
We have a unique vernacular urban heritage, and in this context, Karachi’s multi-ethnic, multi-cultural identity needs to be understood and appreciated for its diversity, richness, and pride in their living environment. Aesthetics is a universal trait of human culture that appears…
Entering the gallery space, two things draw one’s attention instantaneously: the soulful voice that sings in the background, and the vibrant colors of the textiles suspended from the ceiling. More details unpack once the initial impact is absorbed. Silverware, porcelain…
Where is Contemporary Islamic Art in the Arab World? Author: Wijdan Ali Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj, Rural Scape (detail) In…
It seems that almost no area of land has been left terra incognita by human interference. Every rock and plant has fallen prey to being scaled and listed for all the wrong reasons— to occupy or replace. The overwhelming draw…
To keep abreast with art and art market developments it is imperative that art from Pakistan keep up with enduring global trends. In this article I aim to simplify the enigma that is CryptoArt, while focusing on some of the…