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Undesired Material Inhabitants of Nature

Stuff. Everywhere the eye goes, there is a plethora of ‘stuff’. Gleaming and lucratively packaged in mammoth shopping malls, hoarded up in our home-stores and attics, or trashed on our streets, all types of stuff is ubiquitous now. We are…

Looking at Ourselves – Discourses on Rupture

The Karachi Biennale Trust held a two-day hybrid seminar on November 5t – 6th 2022. The theme for the seminar was ‘Ruptured Histories: Critical Exchanges on Issues of Decolonisation’. Scholars and artists were invited to share their insights on the…

The Works of Ustad Bashiruddin: A Restrained Grace

While researching and investigating art historical discourse pertaining to South Asia, one comes across the names of many painters, some whose names sound more familiar than others. Essays, paintings, reviews, oral testimonies of students, friends and colleagues, archival evidence has…

All That, Which Remains: Part 1- Memories

The recent death of my father (January, 2021) brought many changes in my life. He may no longer be with us but his belongings remind me of his everyday life. The objects used in my work are both a depiction…

In Between Imaginary Lines and Lands

Liaquatabad. I had never heard of this place before. I had heard of Lahore, Karachi, and Rawalpindi -- the latter because Shoaib Akhtar is also known as Rawalpindi Express and there is a delicious recipe for Rawalpindi Chole in an…

On Coevolution, and the Spaces We Build for Ourselves – Dialog on KB22

Art and technology have carved an instrumental, multifaceted and significant presence of working together in today’s digital world; each influencing the other, constantly evolving together and generating new ideas and approaches. Art encounters change with every new advancement in technology.…

New Art: New Questions

Art today can be best described as a mutating organism that fed by imagination expands into new directions and disciplines. The departure from the traditional forms has led to the big question, is all we see in exhibitions art? But…

Marking Emergence of Regional Modernism: A Perspective on The Madras Art Movement

Marking Emergence of Regional Modernism: A Perspective on The Madras Art Movement Author: Ashrafi S. Bhagat Originally published in NuktaArt, 2nd issue, January 2006 Cover Design: Sabiha Mohammad Imani Source of inspiration: Installation by Amin Gulgee and Painting by A.P.Santhanaraj,…

Artefacts of Time: Witnessing Life During the Pandemic

Just as the grip of the Covid-19 pandemic on our collective consciousness begins to subside, experiences of these past few years appear to have slowly faded into distant memory. Not too long ago, the pandemic shook the world with its…

A Call from the Mountaintop

In the digital age, the use of technology opens numerous possibilities of disseminating ideas, art and culture to audiences very quickly and effectively. With the onset of the pandemic, the shift to digital technologies was evidenced in the art industry,…

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