Karachi

Reading Karachi: Art, Archives and the Stories a City Keeps

Cities keep stories They are embedded in weathered buildings and fading signboards, in brittle documents, forgotten photographs and carefully folded maps whose creases have survived generations of use. Some are preserved in libraries and museums; others remain hidden in private…

Conversations of Locus, Loss and Learning

When the diverse quadrants of human experience convene in one show, it is an absorbing encounter that stays with the viewer and leads us to question reflexive paradigms of memory and social immersion. Ai Wei Wei says “Art has to…

The Meher Afroz Retrospective “…Connecting Internal and External Time…”

Meher Afroz’s multilayered art connects strands of thought with rich and restrained color. It holds secrets that concern the nature of existence and is impregnated with esoteric meaning. As one of Pakistan’s most iconic contemporary artists, Meher’s decades-long output richly…

Women’s Lives Matter: Let the Visual Narrative Speak Louder

The Aurat March is a space where art meets activism. Here song and dance, talks and posters communicate the struggles of women: for control over their body, escape from abusive marriages, demands for basic rights like justice, security and education.…

Between Reverence and Reprise

Karachi --- On occasion of Chawkandi Art Gallery’s 40th anniversary, Dialogues Across Time invited seventeen practicing artists to come vis-à-vis with experienced veterans, who once shaped the gallery’s advancement in its early years. Chawkandi’s founder Zohra Hussain recalls these initial…

Manchhar Lake, the Mohannas, and the Art of Remembering

The lake is already awake when the artists arrive. Houseboats rock gently, fastened more by habit than rope. Nets dry in uneven arcs along their wooden spines. Children lean over the water’s edge, watching reflections rupture and reform. For five…

Curation as Creative Disruption

We are twenty-five years into the new century, and despite all the curbs on freedom of expression Contemporary Art has successfully navigated the deeply fraught terrain and become an integral part of the country’s cultural consciousness. Curatorial practice has supported…

Between Karachi and Paris

To be nostalgic is to exist between fragments of a memory and its imagined idealization. Curated by Noor Ahmed, the exhibition fanaa is the eclipse at Sanat Initiative presents works by the artist Zahra Mansoor where it navigates the domestic…

Existing without Institutional Memory

Young artists who feel disconnected with the past may ask why is institutional memory important? How does it help us individually and professionally? These are important questions because academics, historians and cultural institutions have only been able to offer a…

Nasreen Askari and the Living Language of Textiles

Textiles are one of humanity’s oldest inventions, yet they renew endlessly. From the earliest woven fragments of the Indus Valley to the intricate embroideries of modern-day Pakistan, dyed, embroidered, and stitched cloth has carried memory, identity, and the accumulated knowledge…

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