Karachi

Manchhar Lake, the Mohannas, and the Art of Remembering

The lake is already awake when the artists arrive. Houseboats rock gently, fastened more by habit than rope. Nets dry in uneven arcs along their wooden spines. Children lean over the water’s edge, watching reflections rupture and reform. For five…

Curation as Creative Disruption

We are twenty-five years into the new century, and despite all the curbs on freedom of expression Contemporary Art has successfully navigated the deeply fraught terrain and become an integral part of the country’s cultural consciousness. Curatorial practice has supported…

Between Karachi and Paris

To be nostalgic is to exist between fragments of a memory and its imagined idealization. Curated by Noor Ahmed, the exhibition fanaa is the eclipse at Sanat Initiative presents works by the artist Zahra Mansoor where it navigates the domestic…

Existing without Institutional Memory

Young artists who feel disconnected with the past may ask why is institutional memory important? How does it help us individually and professionally? These are important questions because academics, historians and cultural institutions have only been able to offer a…

Nasreen Askari and the Living Language of Textiles

Textiles are one of humanity’s oldest inventions, yet they renew endlessly. From the earliest woven fragments of the Indus Valley to the intricate embroideries of modern-day Pakistan, dyed, embroidered, and stitched cloth has carried memory, identity, and the accumulated knowledge…

Soft Power: A Profile of Zohra Husain

When Zohra Husain opened Chawkandi Art gallery, in September of 1985, it was the era of Ali Imam’s Indus Gallery. Writing in The Star, columnist Irfan Husain was sceptical of this new “venture.” While he welcomed the gallery as an…

Life in Greys

When looking at the world in black and white takes a literal turn, and you soak your senses in the world of contradictions you find yourself amongst the works of Khalil Chishti and Adeel-uz Zafar. Works that defy gravity, intrigue…

When the Waters Speak – Art as Witness

The recent 2025 floods in Pakistan echo a devastatingly familiar script from 2022. A recurring nightmare has once again befallen our nation: villages submerged, millions displaced, and an overwhelmed relief system12 . More than 4.2 million people were affected and…

Life in Greys

When looking at the world in black and white takes a literal turn, and you soak your senses in the world of contradictions you find yourself amongst the works of Khalil Chishti and Adeel-uz Zafar. Works that defy gravity, intrigue…

Text as Material, Text as Memory: A Deconstruction of GM’s Process and Poetics

In the ever-evolving terrain of contemporary South Asian art, the work of Ghulam Mohammad also known as GM, emerges as a meditative and materially intricate inspection of language, identity, and memory. A recipient of the prestigious Jameel Art Prize in…

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