Karachi

Gulgee Museum: The Handbook

“I will polish shoes, but I won’t do engineering. I will paint.” -Ismail Gulgee  1 Pakistani artist Ismail Gulgee’s art practice has often been read biographically or categorized as decorative, leaving it overly romanticized and overlooked. The new publication Gulgee…

The Two Who Came Together to Write an Engaging Chapter of Art History

He was born in Poona and his mentor in Rawalpindi. Fifteen years apart in age they grew up in different cities but eventually met in Karachi in the early 1970s. This is how the entanglement of the two artists, Ahmed…

The Lost Statues of Karachi

Stand anywhere in Karachi today and you will find roundabouts, fountains, and the occasional tarnishing monument. What you will not find are the bronze and marble statues that once stood in the city's public squares. Their absence asks: what does…

Afterlives of the Colonial Image

The women in Farazeh Syed’s paintings come to us from colonially produced and disseminated photographs that never intended to tell the subjects’ real stories. Syed’s exploration of this history is presented in her solo exhibition, All the Women in Me.…

The Sadequain, we have Failed to Acknowledge

The more you immerse yourself in Sadequain’s art the more you become aware of the vast vision and intellectual depth that unfolds in his murals, paintings, drawings and illustrations. The ambition of his scale and inventive breadth comes together to…

Reading Karachi: Art, Archives and the Stories a City Keeps

Cities keep stories They are embedded in weathered buildings and fading signboards, in brittle documents, forgotten photographs and carefully folded maps whose creases have survived generations of use. Some are preserved in libraries and museums; others remain hidden in private…

Conversations of Locus, Loss and Learning

When the diverse quadrants of human experience convene in one show, it is an absorbing encounter that stays with the viewer and leads us to question reflexive paradigms of memory and social immersion. Ai Wei Wei says “Art has to…

The Meher Afroz Retrospective “…Connecting Internal and External Time…”

Meher Afroz’s multilayered art connects strands of thought with rich and restrained color. It holds secrets that concern the nature of existence and is impregnated with esoteric meaning. As one of Pakistan’s most iconic contemporary artists, Meher’s decades-long output richly…

Women’s Lives Matter: Let the Visual Narrative Speak Louder

The Aurat March is a space where art meets activism. Here song and dance, talks and posters communicate the struggles of women: for control over their body, escape from abusive marriages, demands for basic rights like justice, security and education.…

Between Reverence and Reprise

Karachi --- On occasion of Chawkandi Art Gallery’s 40th anniversary, Dialogues Across Time invited seventeen practicing artists to come vis-à-vis with experienced veterans, who once shaped the gallery’s advancement in its early years. Chawkandi’s founder Zohra Hussain recalls these initial…

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