Karachi --- On occasion of Chawkandi Art Gallery’s 40th anniversary, Dialogues Across Time invited seventeen practicing artists to come vis-à-vis with experienced veterans, who once shaped the gallery’s advancement in its early years. Chawkandi’s founder Zohra Hussain recalls these initial…
The British philosopher Ludwig Wittgenstein once wrote that “the logical picture of a fact is a Gedanke”.6 Simply put, Wittgenstein considered the act of thinking as a kind of a pictorial operation. Thoughts, sentences, and images represent reality by arranging…
To be nostalgic is to exist between fragments of a memory and its imagined idealization. Curated by Noor Ahmed, the exhibition fanaa is the eclipse at Sanat Initiative presents works by the artist Zahra Mansoor where it navigates the domestic…
In her solo show titled “Lines and Language” at Karachi’s Canvas Gallery, the artist Rabeya Jalil drills into gesture and asks: how do we move, strike, puncture, and scrape? In Jalil’s paintings we may see amorphous blobs, strokes, and patches…
The Land Sings Back, an exhibition showing works of thirteen artists of South Asian, African, and Caribbean heritage at The Drawing Room Tannery Arts in London focuses on our relationship with the environment. Curated by Natasha Ginwala, the show explores…
FIBERS OF MEMORY After graduating from the National College of Arts, Sabah Husain made a remarkable decision. She opted to go to Japan to study printmaking. The choice came with the challenges of learning Japanese and navigating her way in…
The recent 2025 floods in Pakistan echo a devastatingly familiar script from 2022. A recurring nightmare has once again befallen our nation: villages submerged, millions displaced, and an overwhelmed relief system19 . More than 4.2 million people were affected and…
Most contemporary buzz words including--- but not limited to--- decolonisation, heritage, and culture are applicable to the show Tigers and Dragons: India and Wales in Britain at the Glynn Vivian Art Gallery in Swansea, Wales. At this juncture, a liminal…
About two decades ago, during a visit to India, I found myself at an emporium in Udaipur, Rajasthan. The space was alive with colour and devotion—walls adorned with Pichwais and other forms of Krishna-inspired devotional art, while artisans worked in…
In an introduction to the exhibition (Un)layering the future past of South Asia: Young Artists Voices states, ‘Artists in the region ruminate on many common concerns; the creative imagination in seemingly disparate locations is curiously connected by resilience and inventiveness.35’…
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