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Existing without Institutional Memory

Young artists who feel disconnected with the past may ask why is institutional memory important? How does it help us individually and professionally? These are important questions because academics, historians and cultural institutions have only been able to offer a…

Nasreen Askari and the Living Language of Textiles

Textiles are one of humanity’s oldest inventions, yet they renew endlessly. From the earliest woven fragments of the Indus Valley to the intricate embroideries of modern-day Pakistan, dyed, embroidered, and stitched cloth has carried memory, identity, and the accumulated knowledge…

Double Dealing in the Art of Words

Historical retellings of modern art from Western perspectives trace the origins of text-based image making at the beginning of the 20th century. Referring to American consumer culture, influential critics such as Lucy Lippard, W.J.T. Mitchell, and Hal Foster often discussed…

Postcolonial Ecologies at The Drawing Room, London

The Land Sings Back, an exhibition showing works of thirteen artists of South Asian, African, and Caribbean heritage at The Drawing Room Tannery Arts in London focuses on our relationship with the environment. Curated by Natasha Ginwala, the show explores…

Review of Saba Husain’s Solo ‘Gardens of Memory’

FIBERS OF MEMORY After graduating from the National College of Arts, Sabah Husain made a remarkable decision. She opted to go to Japan to study printmaking. The choice came with the challenges of learning Japanese and navigating her way in…

The burden and lightness of Artificial Intelligence

Recently I was asked at a local university about the future of art and creativity in the age of Artificial Intelligence (AI). As someone who belongs to the pre-computer generation, all the memories of the 1990s--- when a computerized manufacturing…

Soft Power: A Profile of Zohra Husain

When Zohra Husain opened Chawkandi Art gallery, in September of 1985, it was the era of Ali Imam’s Indus Gallery. Writing in The Star, columnist Irfan Husain was sceptical of this new “venture.” While he welcomed the gallery as an…

Technical Skill, Poignant Interrogations: NCA Master’s Showcase

The Degree Show for the Masters of Visual Arts program at the National College of Arts showcased the works of eleven artists. Artists enrolled in the program often have some experience exhibiting, while others have prolific careers with regular shows…

Tracing the True Form: Danish Ahmed’s ‘Original’ Explored

There are worlds the eye cannot enter, yet art does. In Original, Danish Ahmed ventures into that unseen terrain, translating metaphysical tension into geometry, texture, and silence. Presented as his recent solo exhibition at The Canvas Gallery, Original unfolds as…

The Pakistan Pavilion, Expo 2025 Osaka, Kansai, Japan

When Salt Becomes Sanctuary The Pakistan Pavilion, Expo 2025 Osaka, Kansai, Japan At the core of Expo 2025 Osaka --- whose theme, Designing Future Societies for Our Lives, imagines tomorrow’s world through today’s choices --- the Pakistan Pavilion emerges not…

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