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Locked in a Cycle: Art in an Ideological Bind

Art in Pakistan has a story that needs to be told by all who have lived through its turbulent years. As an insider to it for half a century I will be using this space to connect history with today…

From Home Studio to the Gallery Wall

From Home Studio to the Gallery Wall: Review of NCA Degree Show 2021 I It is the end of yet another academic year at the National College of Arts, Lahore where spectacular arrays of art breathe life into this historic…

The Red Carpet

The advent of the fashion industry that we know today by and large occurred during the Victorian Era. Britain went through several advancements during the 1800s, including the mass manufacturing of sewing machines, which in turn, enabled a greater production…

Wayward Sought-ings: On “Anatomy of a Horny Heart”

It may be best to begin with a memory. A figure of marbled flesh stands atop a plinth, through the folds of a robe one can discern the silhouette of legs, and beneath a draped foot the name “Venus” is…

Past Present Future

In a time when the global population is forced to isolate, socially distance itself and come to terms with its socio-economic disparities in a real way, a recent show attempts to bridge various forms of gaps in the art world.…

Microcosm 4

Microcosm 4 is the most recent in a series of exhibitions held previously between 2017-2019 and curated by artist-curator Adeel Uz Zafar at AAN Gandhara Art Space in Karachi. This iteration considers artworks by thirteen5 emerging Pakistani contemporary artists who…

Creative Alternatives

The magic and mayhem of a mega-city like Karachi provides unending opportunities for artistic commentary. A recent exhibition at The Full Circle Gallery titled ‘Creative Alternatives’ showcased the work of four artists and one writer-in-residence, all of whom had participated…

Modernism, Postcolonial Nation States Art Criticism

What is important here is not only art’s social conditions but also the relationship of artistic production to art history. However, national histories of art cannot be perceived, constructed and narrated independent of or separate from the mainstream modern art…

Conversations through Photography: Broadening the lens

Iona Fergusson and Numair A. Abbasi respond to photographer Wendy Marijnissen’s book Always the Guest. Dislocating photography from the narrative of representation both writers present the readers with multiple viewpoints to engage with her works while sparking a conversation on…

Inclusivity, as Seen, Imagined and Practiced

Art in Pakistan has a story that needs to be told by all who have lived through its turbulent years. As an insider to it for half a century I will be using this space to connect history with today…

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