The cultural and economic value of textile craft micro-enterprises is often visible in present-day urban centres, projects led by non-profits, and consumerist practices in Pakistan. Reading through definitions of textile craft1, one comes across descriptions referring to activities engaged with…
Last year, I visited ‘The Haveli Museum’ in Karachi, where the exhibition The Coat of Many Colours displayed textile-based crafts from Sindh. These objects included bujhki13, coverlets, and posh14, among several others. Observing these items stirred a quiet nostalgia for…
This essay is based on an interview between the author and Karachi-born, Brooklyn-based artist Hiba Schahbaz. Hiba Schahbaz’s paintings look autobiographical; self-portraiture is a recurring theme representing her unknown and unresolved cognitive musings. However, the contexts shift visually between the…