In Between Imaginary Lines and Lands

Liaquatabad. I had never heard of this place before. I had heard of Lahore, Karachi, and Rawalpindi -- the latter because Shoaib Akhtar is also known as Rawalpindi Express and there is a delicious recipe for Rawalpindi Chole in an…

On Coevolution, and the Spaces We Build for Ourselves – Dialog on KB22

Art and technology have carved an instrumental, multifaceted and significant presence of working together in today’s digital world; each influencing the other, constantly evolving together and generating new ideas and approaches. Art encounters change with every new advancement in technology.…

Images on Water: Notes on Meher Afroz

As I write this, the image of bodies falling from a plane in Kabul’s sky has already been imprinted in the world’s eye. The US have stepped away from a fight around the Euphrates River and the Hindu Kush mountains—ancient…

Post Pandemic Reverberations in Studio Teaching

In a time of global predicament and reckoning, when, even leading gatekeepers grappled with unchartered territories, the meanings and methods of education were also tested. Many educators during the pandemic claimed to adapt to the rapidly changing academic needs, while…

Aesthetics of the Urban Poor

We have a unique vernacular urban heritage, and in this context, Karachi’s multi-ethnic, multi-cultural identity needs to be understood and appreciated for its diversity, richness, and pride in their living environment. Aesthetics is a universal trait of human culture that appears…

It Isn’t Wise to Tame the Waters

It seems that almost no area of land has been left terra incognita by human interference. Every rock and plant has fallen prey to being scaled and listed for all the wrong reasons— to occupy or replace. The overwhelming draw…

Art Futures & the Non-Traditional Artscape

To keep abreast with art and art market developments it is imperative that art from Pakistan keep up with enduring global trends. In this article I aim to simplify the enigma that is CryptoArt, while focusing on some of the…

Perplexities of Abandonment

When I use the terms 'forsaken' and 'forgotten', I refer to the deserted spaces and abandoned objects left in disarray. These spaces and objects captivate my attention while exploring the multilayered megapolis— Karachi. Some such spaces and objects might not…

Rights to the City: Understanding Urban Dynamics through Seema Nusrat’s Art

In recent decades, the landscape of Karachi has become a site of anxiety and insecurity with regards to safety. This has caused a shift in urban infrastructure to include surveillance as a key feature. The result of this inclusion impacts…

Kathmandu Triennale and the Case for Arts Education in Nepal

A bright pink poster popped against the stark white walls of Nepal Art Council at the beginning of March, 2022. An unequivocal testimony scrawled across the poster in big black ink also served as the title of Aqui Thami’s artwork:…

There is nothing to show here!
Slider with alias essays-foot1 not found.

Start typing and press Enter to search

Shopping Cart

No products in the cart.