The Indian subcontinent in 1947 was divided into two countries and three parts: India, West Pakistan and East Pakistan. My essay aims to look into the development of the film industries of the subcontinent, with a focus on Pakistan. Moreover,…
Artistic creation has always been recognised as a process capable not only of transmitting emotions, messages, and values but also for promoting the maturation of critical thought in those who participate in the production6. In Europe, this awareness reaches full…
The growth of inter-cultural encounters in the Africa-Asia region of the world have instigated the creation of socially, politically, and ethnographically diverse spaces. The waters of the Indian Ocean, carrying remnants of the coast of Africa and the Middle East…
Cityscape - Skylines, Landmarks and Urban identity Author: Mukhtar Husain Originally published in NuktaArt, inaugural issue, May 2005 Cover Design: Sabiha Mohammad Imani Source of inspiration: Painting by Zubeida Agha, Karachi by Night, 1956 What makes a city recognisable? For…
A question I have often asked myself: what made Rabia Zuberi, a young woman in the 1960s, commit all her energies to building an art institution? To undertake such an ambitious project thereby leaving her no time to raise a…
“I think I shall never see A poem lovely as a tree” Joyce Kilmer Watching contemporary Pakistani drama serials can never make one come to terms with the fact that drama, after all, is a genre of Literature. Such is…
When talking about how an artist is moulded by his environment, Professor Nagori would refer to the story of Picasso visited by the Gestapos at the time of Nazi occupation. The officers saw Picasso's painting Guernica, which was made in…
Materiality is one of the most contested concepts in contemporary art, often overlooked in critical academic writing. Material generally denotes substances that will undergo further processes. It indicates the forces of production at that time. The term 'material' describes not…
F.S Aijazuddin recounts how acclaimed author Ved Mehta, son of Dr. Amolak Ram Mehta, visited his father’s home in Lahore at 11 Temple Road not, as assumed, “to reclaim property, but to reclaim his childhood”26; the house was then allotted…
The curator, Irfan Gul Dahri, asks a rhetorical question in the two-artist show titled Self-Extended. The question is: “What is a person without the things they project their selves into?” Implicit in this rhetorical question is the assumption that there…