Most contemporary buzz words including--- but not limited to--- decolonisation, heritage, and culture are applicable to the show Tigers and Dragons: India and Wales in Britain at the Glynn Vivian Art Gallery in Swansea, Wales. At this juncture, a liminal…
Ahmed Parvez was intensely devoted to his art, in fact there was nothing that was not intense about him. He had strong opinions and often disagreed with his peers. Compromise in life did not come easily to him either. His…
About two decades ago, during a visit to India, I found myself at an emporium in Udaipur, Rajasthan. The space was alive with colour and devotion—walls adorned with Pichwais and other forms of Krishna-inspired devotional art, while artisans worked in…
In an introduction to the exhibition (Un)layering the future past of South Asia: Young Artists Voices states, ‘Artists in the region ruminate on many common concerns; the creative imagination in seemingly disparate locations is curiously connected by resilience and inventiveness.7’…
Waqas Khan’s art reflects traces of ancient symbols related to both history and the process of evolution. Khan exhibits extraordinary patience throughout his artistic journey, which, despite seeming infinite, ultimately comes to an end. His creations consist of numerous marks,…
In a world preoccupied with certainty, Sara Aslam’s work offers something quietly radical: permission to remain in flux. Across the globe, cities are growing at unprecedented rates, with over 56% of the world’s population now living in urban areas, a…
I meet fashion designer and artist Misha Japanwala on a cool Sunday afternoon in a fully packed coffee shop in Karachi. We are here to talk about her developing creative practice and I have lots of questions about her audacious…