This essay is based on an interview between the author and Karachi-born, Brooklyn-based artist Hiba Schahbaz. Hiba Schahbaz’s paintings look autobiographical; self-portraiture is a recurring theme representing her unknown and unresolved cognitive musings. However, the contexts shift visually between the…
Young artists who feel disconnected with the past may ask why is institutional memory important? How does it help us individually and professionally? These are important questions because academics, historians and cultural institutions have only been able to offer a…
The Land Sings Back, an exhibition showing works of thirteen artists of South Asian, African, and Caribbean heritage at The Drawing Room Tannery Arts in London focuses on our relationship with the environment. Curated by Natasha Ginwala, the show explores…
FIBERS OF MEMORY After graduating from the National College of Arts, Sabah Husain made a remarkable decision. She opted to go to Japan to study printmaking. The choice came with the challenges of learning Japanese and navigating her way in…
There are worlds the eye cannot enter, yet art does. In Original, Danish Ahmed ventures into that unseen terrain, translating metaphysical tension into geometry, texture, and silence. Presented as his recent solo exhibition at The Canvas Gallery, Original unfolds as…
When Salt Becomes Sanctuary The Pakistan Pavilion, Expo 2025 Osaka, Kansai, Japan At the core of Expo 2025 Osaka --- whose theme, Designing Future Societies for Our Lives, imagines tomorrow’s world through today’s choices --- the Pakistan Pavilion emerges not…
In the ever-evolving terrain of contemporary South Asian art, the work of Ghulam Mohammad also known as GM, emerges as a meditative and materially intricate inspection of language, identity, and memory. A recipient of the prestigious Jameel Art Prize in…
Most contemporary buzz words including--- but not limited to--- decolonisation, heritage, and culture are applicable to the show Tigers and Dragons: India and Wales in Britain at the Glynn Vivian Art Gallery in Swansea, Wales. At this juncture, a liminal…
Ahmed Parvez was intensely devoted to his art, in fact there was nothing that was not intense about him. He had strong opinions and often disagreed with his peers. Compromise in life did not come easily to him either. His…
About two decades ago, during a visit to India, I found myself at an emporium in Udaipur, Rajasthan. The space was alive with colour and devotion—walls adorned with Pichwais and other forms of Krishna-inspired devotional art, while artisans worked in…
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