When Zohra Husain opened Chawkandi Art gallery, in September of 1985, it was the era of Ali Imam’s Indus Gallery. Writing in The Star, columnist Irfan Husain was sceptical of this new “venture.” While he welcomed the gallery as an…
The millions who live in the cities of today are often polarized by economic stratification and ideological differences; the social rupture can be further exacerbated by heavy state policing of public spaces. In a tense cityscape like this, public art…