Text as Material, Text as Memory: A Deconstruction of GM’s Process and Poetics

In the ever-evolving terrain of contemporary South Asian art, the work of Ghulam Mohammad also known as GM, emerges as…

New Contexts: Decoding Decolonisation and History

Derrida, J. Of Grammatology. Baltimore: Johns Hopkins University Press. Rahman, T. Language and Politics in Pakistan. Karachi: Oxford University Press.Derrida,…

Ahmed Parvez – The Burden of Genius

Ahmed Parvez was intensely devoted to his art, in fact there was nothing that was not intense about him. He…

Delighting Krishna- A Monumental Exhibition in Washington DC

About two decades ago, during a visit to India, I found myself at an emporium in Udaipur, Rajasthan. The space…

The Karachi Collective
Critical Dialogue on Art, Design & Culture

The Karachi Collective (TKC), established in 2020 as a digital platform, aims to foster creative research and meaningful documentation rooted in Karachi’s vibrant cultural landscape.

While initially centered on this dynamic city—renowned for its layered histories, diverse languages, and artistic expressions—TKC’s scope has progressively extended beyond Karachi to encompass South Asia and its diaspora. This expansion reflects a commitment to forging connections across regional histories, traditions, and contemporary practices.

By inviting artists, writers, designers, and researchers from varied disciplines, TKC cultivates an interdisciplinary dialogue that explores material culture, memory, and identity.

Emphasizing both critical inquiry and creative experimentation, the platform champions diverse methodologies such as autoethnography and embodied knowledge. The Karachi Collective aspires to be a space where regional voices converge, inspiring new perspectives and fostering collaborations that challenge boundaries and enrich understanding across cultural and geographical boundaries.

nukta art logo, magzine of Pakistan

  1. Pushtimarg, meaning "Path of Grace," is a Vaishnav tradition within Hinduism founded by Shri Vallabhacharya around the late 15th century. It emphasizes spontaneous, selfless love for Shri Krishna and the direct experience of God's grace, not through suppression of worldly desires but by diverting them towards Krishna. The path is centered on devotional practices like seva (service), and it allows householders to maintain their lives while serving God.
  2. The city of Nathdwara, in the Rajsamand district of the state of Rajasthan, India, is famous for being the residence of Lord Shrinathji, who is considered the “swaroop” or incarnation of infant Lord Krishna.
  3. An architectural element from medieval Indian architecture, specifically a projected window or balcony, typically from an upper story of a building, that overlooks a street, market, or other public space.
  4. An elevated, dome-shaped pavilion or kiosk with intricate carvings, a traditional element of Indian architecture that literally means "umbrella".

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