The Karachi Collective https://validator.w3.org/feed/docs/rss2.html Home Intimate Forms and Avatars: An Interview with Hiba Schahbaz Nageen Shaikh Team Capsule: Art Thinkings by Niilofur Farrukh Tazeen Hussain Dreaming in an Old House Existing without Institutional Memory Humanizing the Dehumanized During War Saira Danish Ahmed Seher Mirza Sobia Khan Gestures, Grids and Instincts in Paint The burden and lightness of Artificial Intelligence Review of Saba Husain’s Solo ‘Gardens of Memory’ Postcolonial Ecologies at The Drawing Room, London Will You Listen, When the Sea Returns With the Waters of a Distant Memory? Archiving the Living: Memory and Ecology in Sara Aslam’s Practice A Quiet Right to Opacity A Titan with a Twinkle in her Eyes Witnessing Through Matter – The Semiotics of Stone Transcendental Ruminations Examining Collective Struggles to Build a Shared Future Nasreen Askari and the Living Language of Textiles Double Dealing in the Art of Words Delighting Krishna- A Monumental Exhibition in Washington DC Contributors Ahmed Parvez – The Burden of Genius Text as Material, Text as Memory: A Deconstruction of GM’s Process and Poetics About Life in Greys When the Waters Speak – Art as Witness Living in the time of Censorship Life in Greys Contact Flowering Desert: Textiles from Sindh – Book Review The Pakistan Pavilion, Expo 2025 Osaka, Kansai, Japan Technical Skill, Poignant Interrogations: NCA Master’s Showcase Tracing the True Form: Danish Ahmed’s ‘Original’ Explored Soft Power: A Profile of Zohra Husain Shop The Delphian Calm Looking at Ourselves – Discourses on Rupture Unbound- Nukta Founders and the Biography of an Art Magazine A Bankable Force, Not Dead Capital of Art Between Erasure and Nostalgia Placemaking for the Subaltern How a Museum Can Silence / Un- silence an Object A Critical Analysis of Contemporary Art in the Books of Niilofur Farrukh